《My Life as a Night Elf Priest》书籍《My Life as a Night Elf Priest》

《My Life as a Night Elf Priest》书籍《My Life as a Night Elf Priest》

作者:《My Life as a Night Elf Priest》书籍

出版社:U OF M DIGT CULT BOOKS

出版年:2010-5-25

评分:0.0

ISBN:9780472050987

所属分类:网络科技

书刊介绍

内容简介

World of Warcraft rapidly became one of the most popular online world games on the planet, amassing 11.5 million subscribers—officially making it an online community of gamers that had more inhabitants than the state of Ohio and was almost twice as populous as Scotland. It's a massively multiplayer online game, or MMO in gamer jargon, where each person controls a single character inside a virtual world, interacting with other people's characters and computer-controlled monsters, quest-givers, and merchants.

In My Life as a Night Elf Priest, Bonnie Nardi, a well-known ethnographer who has published extensively on how theories of what we do intersect with how we adopt and use technology, compiles more than three years of participatory research in Warcraft play and culture in the United States and China into this field study of player behavior and activity. She introduces us to her research strategy and the history, structure, and culture of Warcraft; argues for applying activity theory and theories of aesthetic experience to the study of gaming and play; and educates us on issues of gender, culture, and addiction as part of the play experience. Nardi paints a compelling portrait of what drives online gamers both in this country and in China, where she spent a month studying players in Internet cafes.

Bonnie Nardi has given us a fresh look not only at World of Warcraft but at the field of game studies as a whole. One of the first in-depth studies of a game that has become an icon of digital culture, My Life as a Night Elf Priest will capture the interest of both the gamer and the ethnographer.

作品目录

Table of Contents

Ellen Seiter and Mimi Ito, Series Editors

Acknowledgments

part one Introduction to World of Warcraft

Prologue

chapter one What is World of Warcraft and Who plays it?

chapter two An Ethnographic Investigation of World of Warcraft

part two Active Aesthetic Experience

chapter three Play as Aesthetic experience

chapter four A New Medium

chapter five Work, Play, and the Magic Circle

part three Cultural Logics of World of Warcraft

chapter six Addiction

chapter seven Theorycraft and Mods

chapter eight Gender

chapter nine Culture: WoW in China . . . and North America

Coda

Notes

References

Index

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